Creative Direction & Post Production

Creative direction, editing, colour, motion graphics and sound — for footage we shot, or footage you already have sitting unused.

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Overview

Most brands are sitting on unfinished content

There is usually a hard drive somewhere with a shoot on it that never got cut properly, or a film that was edited once for one placement and never versioned. Post production is where that becomes usable, and it is far cheaper than shooting again.

We treat creative direction as its own service: deciding what the material is actually for, then editing, grading, animating and mixing it to a standard that matches the rest of your brand.

What's included

Creative direction

Deciding what the material is for and what it has to make someone do.

Editing & versioning

A hero cut plus every duration and aspect ratio your channels need.

Colour grading

A consistent look across a shoot, or matched across footage from years apart.

Motion graphics & titles

Lower thirds, titles, subtitles and animated graphics from your brand system.

Sound design & mix

Dialogue clean-up, music licensing, voiceover and a broadcast-safe mix.

How we work

Direct the material, then finish it properly

  1. Review

    Watch everything you have and write down what is genuinely usable.

  2. Direct

    Agree the pieces to be made and what each one is for.

  3. Edit

    Offline cuts for approval before any finishing work is spent on them.

  4. Finish

    Grade, graphics, mix, versioning and delivery in an organised library.

What you get

  • Footage review & plan
  • Finished hero edits
  • All channel versions
  • Graded & mixed masters
  • Bilingual subtitle files

The outcome

A library you can finally publish

Existing footage turned into a set of finished, on-brand, correctly-sized pieces, with a consistent grade and sound across everything — including the campaign you shot last year and never fully used.

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Frequently asked questions

Can you edit footage another crew shot?

Yes, and that is a large part of this work. We will tell you upfront what the material cannot support — coverage gaps and audio problems limit what any edit can do.

Do you license the music?

Yes, with the licence documented for the territory and duration you need, or we commission an original track when the campaign is large enough to justify it.

How many revision rounds are included?

Two on the offline cut and one after finishing. Structural changes requested after the grade cost real money, so we make the offline stage the place to be picky.

Can you match the look of our old videos?

That is what grading is for. Send two or three reference films and we build a look that sits alongside them instead of announcing that it was made later.

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Sitting on footage you never used?

Send us what you have. We will tell you what is in there and what it could become.

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